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The reed is considered the part of oboe that makes the instrument so difficult because the individual nature of each reed means that it is hard to achieve a consistent sound. Slight variations in temperature, humidity, altitude, weather, and climate can also have an effect on the sound of the reed, as well as minute changes in the physique of ...
The reed used on the dolçaina is among the biggest and most resistant in the oboe family, meaning that great pressure must be applied so as to manipulate the sound. However, endurance may increase progressively if the piece features fewer high-pitched notes, more breaths, empty bars and less dynamics.
The heckelphone is a double reed instrument of the oboe family, but with a wider bore and hence a heavier and more penetrating tone. It is pitched an octave below the oboe and furnished with an additional semitone taking its range down to A. [3] It was intended to provide a broad oboe-like sound in the middle register of the large orchestrations of the turn of the twentieth century.
The oboe da caccia (pronounced [ˈɔːboe da (k)ˈkattʃa]; literally "hunting oboe" in Italian), also sometimes referred to as an oboe da silva, is a double reed woodwind instrument in the oboe family, pitched a fifth below the oboe and used primarily in the Baroque period of European classical music. It has a curved tube, and in the case of ...
Contemporary bombards may have sophisticated keywork, resulting in fully chromatic instruments. Milder versions tending to a romantic-era oboe sound such as Youenn Le Bihan's "pistoñ" (a baroque oboe/bombard hybrid) have been developed for use in mixed ensembles, resulting in completely new sounds and realms of expression.
A powerful reed stop, much like the Bombarde or Trombone; normally a 16 ft or 32 ft pedal reed; unusually an 8 ft or 16 ft on the manuals. Orchestral Oboe (English) Orchestral Hautboy (English) Hautbois d'Orchestre (French) Reed: A different stop from Oboe; intended to imitate the orchestral instrument; of smaller scale than the non-imitative oboe.
The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
Reed aerophones is one of the categories of musical instruments found in the Hornbostel-Sachs system of musical instrument classification. In order to produce sound with these Aerophones the player's breath is directed against a lamella or pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion.