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The canon of a work of fiction is "the body of works taking place in a particular fictional world that are widely considered to be official or authoritative; [especially] those created by the original author or developer of the world". [2] Canon is contrasted with, or used as the basis for, works of fan fiction and other derivative works. [3]
The term canon derives from the Greek κανών (kanon), meaning "rule", and thence via Latin and Old French into English. [1] The concept in English usage is very broad: in a general sense it refers to being one (adjectival) or a group (noun) of official, authentic or approved rules or laws, particularly ecclesiastical; or group of official, authentic, or approved literary or artistic works ...
An artistic canon of body proportions (or aesthetic canon of proportion), in the sphere of visual arts, is a formally codified set of criteria deemed mandatory for a particular artistic style of figurative art. The word canon (from Ancient Greek κανών (kanṓn) 'measuring rod, standard') was first used for this type of rule in Classical ...
The authenticity of provenance of an objet d’art is the positive identification of the artist and the place and time of the artwork's origin; [7] thus, art experts determine authenticity of provenance with four tests: (i) verification of the artist's signature on the work of art; (ii) a review of the historical documentation attesting to the ...
Literary canon, an accepted body of works considered as high culture Western canon, the body of high culture literature, music, philosophy, and works of art that is highly valued in the West; Canon of proportions, a formally codified set of criteria deemed mandatory for a particular artistic style of figurative art; Canon (music), a type of ...
The Great Books of the Western World in 60 volumes. A university or college Great Books Program is a program inspired by the Great Books movement begun in the United States in the 1920s by John Erskine of Columbia University, which proposed to improve the higher education system by returning it to the western liberal arts tradition of broad cross-disciplinary learning.
Holbein's The Ambassadors (1533) is a complex work whose iconography remains the subject of debate.. Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style.
In the first part of the book (Chapters 1-4) Avital examines from various angles the question "Is modern art actually art?".In this section Avital analyzes and criticizes modern art, and claims that all non-figurative art created in the 20th century is not in fact art, but rather the shreds and raw materials of the figurative art that preceded it, or at best, trivial design.