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Basotho women generate litema on the outer walls and inside of homesteads by means of engraving, painting, relief mouldings and/or mosaic. Typically the geometric patterns are combed or scratched into the wet top layer of fresh clay and dung plaster of the wall, and later painted with earth ochers or, in contemporary times, manufactured paint.
When the technique is used for wall glazing, the entire surface is covered, often showing traces of texture (French brush, parchment, striae, rag rolling). Either oil-based or water-based materials are used for glazing walls, depending upon the desired effect. Kerosene or linseed oil may be used to extend the "open" or working time of oil-based ...
Glass is a useful material that has such advantages such as transparency, natural day-lighting, permitting a sky view and Acoustic control, depending on the glazing solution used. Glass is a wholly recyclable material . [ 2 ]
"Double Drenching can work to add unexpected contrast to modern homes where architectural detail is lacking, highlighting the ceiling, walls and woodwork or zoning spaces, or it can draw attention ...
Double drenching can be used in any room of your house where you want a bold and dramatic statement, as per Mottershead. “Dark blues are a fantastic choice for bedrooms," she says."They create ...
The Double Glazing & Conservatory Ombudsman Scheme (DGCOS) is an independent UK regulatory body for the UK’s double glazing and conservatory industry. [1] Its agenda includes vetting of suppliers, guaranteeing customer access to industry inspectors, and protecting members against unfounded complaints. It was established in 2010. [2]
Glass block wall in Chicago. Glass blocks can provide light and serve as a decorative addition to an architectural structure, but hollow glass blocks are non load-bearing unless stated otherwise. Hollow glass wall blocks are manufactured as two separate halves and, while the glass is still molten, the two pieces are pressed together and annealed.
Underglaze transfers are a technique that involves screenprinting or free handing a pattern onto a transfer paper (often rice paper or newspaper) which is then placed, dampened, and burnished onto the surface of a leather-hard piece of clay (similar to how a lick-and-stick tattoo might be applied). [21]