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"Ave Maria" is a setting of the Latin prayer Ave Maria, originally published in 1853 as "Méditation sur le 1er prélude de piano de S. Bach ". [1] The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major , BWV 846, from Book ...
Bach's autograph (1722) of the first prelude of Book I. The Prelude and Fugue in C major, BWV 846, is a keyboard composition written by Johann Sebastian Bach.It is the first prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.
"Ave Maria" is a ballad that runs for 3 minutes and 42 seconds. [8] [9] The Village Voice ' s Nana Ekua Brew-Hammond described the song as being "opera-tinted". [10]According to the sheet music published by EMI Music Publishing, it is written in the key of C Major with a slow tempo of 75 beats per minute and it is set in common time. [11]
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In 1825, Schubert composed a selection of seven songs from Scott's The Lady of the Lake.They were published in 1826 as his Opus 52. The songs are not intended for a single performer: the three songs of Ellen are for a woman's voice with piano accompaniment, while the songs for Norman and Malcolm Graeme were intended for the baritone Johann Michael Vogl.
The original only opens with the greeting "Ave Maria", which also recurs only in the refrain. [79] In 1825, Schubert also wrote the Piano Sonata in A minor (D 845, first published as op. 42), and began the Symphony in C major (Great C major, D. 944), which was completed the following year. [80]
Comment—I do find it difficult that the SDP has no reference to the fact that this music would have been composed during the mediaeval period; probably in the 9th–11th century. Do we know from where it emanated?
Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice (songs, and arias) are included. The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family.