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The original sheet music "Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby)" is a classic American song that was written in 1913 by composer James Royce Shannon (1881–1946) for the Tin Pan Alley musical Shameen Dhu. The original recording of the song, by Chauncey Olcott, peaked at #1 on the music charts.
He is known chiefly for writing the lyrics to "The Missouri Waltz" (the state song of Missouri) and for composing the song "Too Ra Loo Ra Loo Ral" ("Irish Lullaby"). [1] [3] [4] He began his musical writing career in collaboration with his mother, Eliza Shannon.
The song "Hip Hurray" on the Fiddler's Green's 1995 album King Shepherd retains some of the lyrics while using a different melody and additional lyrics to create a reflection on the original song. Marc Gunn and Jamie Haeuser recorded it on their album How America Saved Irish Music (2014).
"Gartan Mother's Lullaby" is an old Irish song and poem written by Herbert Hughes and Seosamh Mac Cathmhaoil, first published in Songs of Uladh [Ulster] in 1904. [1] Hughes collected the traditional melody in Donegal the previous year and Campbell wrote the lyrics. The song is a lullaby by a mother, from the parish of Gartan in County Donegal ...
"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.
Victor Herbert quotes the tune in his "Irish Rhapsody" Roger Quilter's setting of the song was included in the Arnold Book of Old Songs, published in 1950. Joni James includes the song on her album Joni Sings Irish Favorites (1959) and Bing Crosby included it in a medley on his album 101 Gang Songs (1961).
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Mother Machree" is a 1910 American-Irish song with lyrics by Rida Johnson Young and singer Chauncey Olcott, and music by Ernest Ball. It was originally written for the show Barry of Ballymoore. [1] It was first released by Chauncey Olcott, then by Will Oakland in 1910. The song was later kept popular by John McCormack and others.