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Older economic writings hold that people are averse to labor and can only be motivated to work using incentives like rewards and punishments. Christianity is generally approving of workmanship, though certain Bible passages such as Genesis 3:17 ("...Cursed is the ground because of you; through painful toil you will eat food from it all the days of your life.") contribute to the view that labor ...
Family quotes from famous people. 11. “In America, there are two classes of travel—first class and with children.” —Robert Benchley (July 1934) 12. “There is no such thing as fun for the ...
The book is divided into a prologue, ten chapters split over three parts, and a conclusion. Sennett argues that the spirit of craftmanship involves the "desire to do a job well for its own sake".
A craft is typically birthed by creativity and intentional design, through the application of skill(s)/ techniques and can extend across a wide range of areas from dance, embroidery to photography. Good 'craftsmanship' is marked by dexterity and experience. [1] [2] Crafts as a whole can be described as all of the following:
"Life's a climb. But the view is great." There are times when things seemingly go to plan, and there are other moments when nothing works out. During those instances, you might feel lost.
Stephen King began composing On Writing in 1997. After completing the "C.V." and "Toolbox" sections, he set aside the manuscript in February or March 1998, explaining in the final section of On Writing that he was uncertain how or whether he should proceed with it. In June 1999, he reread the uncompleted draft and became determined to finish it.
Quotations embody the breezy, emotive style common in fiction and some journalism, which is generally not suited to encyclopedic writing. Long quotations crowd the actual article and distract attention from other information. Many direct quotations can be minimized in length by providing an appropriate context in the surrounding text.
The nature of craft skill and the process of its development are continually debated by philosophers, anthropologists, and cognitive scientists. [1] Some scholars note that craft skill is marked by particular ways of experiencing tools and materials, whether by allowing tools to recede from focal awareness, [2] perceiving tools and materials in terms of their practical interrelationships, [3 ...