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The Garratts sold the Scripture in Song music catalogue to a US publisher. From 1998 to 2005, they lost most of the money from the sale, and one of their two children, Rachel, died of cancer at age 31. In 2002, their company, Scripture in Song Recordings Limited, was removed by the New Zealand Companies Office. [3] [6]
Some groups among the Bible Student movement also adopted the name, such as the Berean Bible Students and the Berean Bible Institute. Churches and institutions who adopt the Berean name, usually do so in order to express their desire to reflect the attitude of the Bereans in Acts 17, committing themselves to "searching the scriptures daily".
The Song was accepted into the Jewish canon of scripture in the 2nd century CE, after a period of controversy in the 1st century. This period of controversy was a result of many rabbis seeing this text as merely "secular love poetry, a collection of love songs gathered around a single theme", [35] and thus not worthy of canonization. In fact ...
The Five Scrolls or the Five Megillot (Hebrew: חמש מגילות [χaˈmeʃ meɡiˈlot], Hamesh Megillot or Chomeish Megillos) are parts of the Ketuvim ("Writings"), the third major section of the Tanakh (Hebrew Bible). [1] The Five Scrolls are the Song of Songs, the Book of Ruth, the Book of Lamentations, Ecclesiastes and the Book of Esther ...
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
The need was felt to have metrical vernacular versions of the Psalms and other Scripture texts, suitable to sing to metrical tunes and even popular song forms. Following an interpretation of the regulative principle of worship , many Reformed churches adopted the doctrine of exclusive psalmody : every hymn sung in worship must be an actual ...
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
Later exclusive psalmodists contended that since God has given Christians a collection of 150 worship songs and provides scriptural examples of them being sung, God requires these songs to be used in public worship and forbids others to be sung (2 Chronicles 5:13, 2 Chronicles 20:21, 2 Chronicles 29:30, Ezra 3:11, Exodus 15:1).