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"Careful" is a song by American rock band Paramore, and is the fourth single from their third studio album, Brand New Eyes. The song charted on the Billboard Hot 100 the week Brand New Eyes was released before it was announced as a single. It charted due to digital downloads. The song impacted radio on June 8, 2010. [1]
A demo of some lines for "Be Careful" was first recorded by Pardison Fontaine, the stage name of Jordan Thorpe. [5] Later, Cardi B added the hook and wrote the rest of the song, with production completed with the help of producers Frank Dukes, Boi-1da and Vinylz. [6]
The song was played at a BBC Radio 1 concert in the BBC Paris Cinema on 16 July 1970, and at a free concert in Hyde Park two days later. [25] The band recorded two takes of "Careful with That Axe, Eugene" for the live film Pink Floyd: Live at Pompeii in October 1971. Contrary to the film's title, the song was recorded at Studio Europasinor ...
The Cabbie's Song (1936) Cabeza de Vaca (1991) The Cabin (2018) Cabin Boy (1994) The Cabin in the Cotton (1932) The Cabin Crew (2014) Cabin Fever series: Cabin Fever: (2002 & 2016) Cabin Fever 2: Spring Fever (2009) Cabin Fever: Patient Zero (2014) The Cabin in the Mountains (2014) The Cabin Movie (2005) Cabin Pressure (2002) Cabin in the Sky ...
Name of song, writer(s), original release, and year of release Song Writer(s) Original release Year Ref. "45 Revolutions Per Minute" [a] John Fogerty: Pendulum (40th Anniversary Edition) 2008 [1] "Bad Moon Rising" John Fogerty Green River: 1969 [2] "Before You Accuse Me" Ellas McDaniel † Cosmo's Factory: 1970 [3] "Bootleg" John Fogerty Bayou ...
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This is a list of songs from Sesame Street. It includes the songs are written for used on the TV series. The songs have a variety of styles, including R&B, opera, show tunes, folk, and world music. [1] Especially in the earlier decades, parodies and spoofs of popular songs were common, although that has reduced in more recent years. [1]
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.