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A multi-course harp is a harp with more than one row of strings, as opposed to the more common "single course" harp. On a double-harp, the two rows generally run parallel to each other, one on either side of the neck, and are usually both diatonic (sometimes with levers) with identical notes.
Epigonion Greek harp, circa 430 B.C. This style of harp is not named in artworks and has also been called trigonon by modern researchers. The epigonion (Greek: ἐπιγόνιον) was an ancient stringed instrument, possibly a Greek harp mentioned in Athenaeus (183 AD), probably a psaltery.
This version has the harp with a woman's head and breasts, as well as the arms of the House of Hanover at the centre, dating it to 1816–1837. The design of the harp used by the modern Irish state is based on the Brian Boru harp, a late-medieval Gaelic harp now in Trinity College Dublin. [note 1] The design is by an English sculptor, Percy ...
Thousands of artists — ranging from the late Norman Rockwell to the Oscar-nominated director Wes Anderson — have been named in a widely circulated list of people whose work was used to train a ...
The general name for these was the psalterion. [10] Ancient vase paintings often depict – almost always in the hands of women – various types of harps. Names found in written sources include pektis, trigonos, magadis, sambuca, epigonion. These names could denote instruments of this type. Unlike the lyres, the harp was rarely used in Greece.
The flag of the Irish province of Leinster is a banner with the provincial coat of arms: a gold Irish harp with silver strings on a green field (blazon: vert a harp or stringed argent). These arms are similar to the arms of Ireland, which have the same device on a field of blue rather than green.
Thomas Connellan - (c. 1640 – 1698) - Irish harper and composer whose "Molly St. George" is one of the earliest Irish harp songs with extant lyrics; brother of William Connellan; William Connellan - 17th century Irish harper and composer; brother of Thomas Connellan; Cécile Corbel - (born 1980) - Breton recording artist and composer
See Rotta for the medieval lyre, or Rote for the fiddle. During the 11th to 15th century A.D., rotte (German) or rota (Spanish) referred to a triangular psaltery illustrated in the hands of King David and played by jongleurs (popular musicians who might play the music of troubadours) and cytharistas (Latin word for a musician who plays string instruments).