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  2. Royal Copenhagen - Wikipedia

    en.wikipedia.org/wiki/Royal_Copenhagen

    Modern Musselmalet or "Blue Fluted" pattern dinner service Pieces of the "Flora Danica" dinner service, Christiansborg Palace. Starting in the 17th century, Europeans, long fascinated by the blue and white porcelain exported from China during the Ming and Qing dynasties, began to imitate the precious ware. [3]

  3. Blue Onion - Wikipedia

    en.wikipedia.org/wiki/Blue_Onion

    The Blue Onion pattern was designed by Johann Gregor Herold in 1739 likely inspired by a Chinese bowl from the Kangxi period. The pattern it was modelled after by Chinese porcelain painters, featured pomegranates unfamiliar in Saxony, so the plates and bowls produced in the Meissen factory in 1740 created their own style and feel.

  4. 11 Holiday China Patterns That Are Anything but Basic

    www.aol.com/lifestyle/11-holiday-china-patterns...

    Here, the prettiest holiday china patterns for 2023 and beyond. Skip to main content. Sign in. Mail. 24/7 Help. For premium support please call: 800-290-4726 more ways to reach us. Mail. Sign in ...

  5. Bing & Grøndahl - Wikipedia

    en.wikipedia.org/wiki/Bing_&_Grøndahl

    Bing & Grøndahl's Seagull dinnerware, designed by Fanny Garde in 1895. The company's signature design, Seagull, was created in 1892 by designer Fanny Garde (1855-1925). The modest, classic design features flying seagulls against pale blue backgrounds, sea horse handles and shaded patterns of scales around the edges.

  6. Christian Thomsen (sculptor) - Wikipedia

    en.wikipedia.org/wiki/Christian_Thomsen_(sculptor)

    He was employed at the Royal Porcelain Manufactory Royal Copenhagen from 1898, and is considered one of the most influential royal Danish sculptors of the 20th century. [1] He produced over 100 figurines, including figures from Hans Christian Andersen 's fairy tales, animals, [ 2 ] and 36 commemorative plaques; it was Thomsen who produced the ...

  7. Blue and white pottery - Wikipedia

    en.wikipedia.org/wiki/Blue_and_white_pottery

    Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]