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Language of Love (Swedish: Ur kärlekens språk) is a 1969 Swedish sex educational film directed by Torgny Wickman.It was an international success. Although initially refused a cinema certificate in 1970 by the BBFC, it was passed uncut 3 years later and gained publicity when 30,000 people gathered on Trafalgar Square in London to protest against a nearby movie theatre showing it, one of the ...
Mera ur kärlekens språk (aka More from the Language of Love and More about the Language of Love, also released as Language of Love 2) is a 1970 Swedish sex educational film directed by Torgny Wickman. It is a sequel to the 1969 film Language of Love [1] and had a sequel in 1971, Kärlekens XYZ. [2]
Ernst Ingmar Bergman [a] (14 July 1918 – 30 July 2007) was a Swedish film and theatre director and screenwriter. Widely considered one of the greatest and most influential film directors of all time, [1] [2] [3] his films have been described as "profoundly personal meditations into the myriad struggles facing the psyche and the soul". [4]
Lukas Moodysson's first feature-length film, Show Me Love (English language name for the controversial Swedish original title, Fucking Åmål) was a huge success in Sweden. The lovingly depicted teenage angst of the main characters played well with the audience and won four Guldbagge Awards in 1998.
Time of Love (Persian: نوبت عاشقی, romanized: Nobat-e âšeqi; Turkish: Aşkın Zamanı) is a 1990 film by Iranian director Mohsen Makhmalbaf, based on a story written by Makhmalbaf himself. The film consists of three episodes, all with relatively similar plots.
Ted: För kärlekens skull (English lit. ' "Ted: For Love's Sake" '), also known as Ted: Show Me Love, [2] is a 2018 Swedish film directed and written by Hannes Holm and produced by Lena Rehnberg.
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A Swedish Love Story (Swedish: En kärlekshistoria, lit. 'A Love Story') is a 1970 Swedish romantic drama directed by Roy Andersson, starring Ann-Sofie Kylin and Rolf Sohlman as two teenagers falling in love. Inspired by the Czechoslovak New Wave, the film was Andersson's feature film debut and was successful in Sweden and abroad.