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Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
Polished plaster is a term for the finish of some plasters and for the description of new and updated forms of traditional Italian plaster finishes. The term covers a whole range of decorative plaster finishes, from the very highly polished Venetian plaster and Marmorino to the rugged look of textured polished plasters. [1]
Polishing is the process of creating a smooth and shiny surface by rubbing it or by applying a chemical treatment, leaving a clean surface with a significant specular ...
The NPS vowed to support the historical documentation effort, and a photographer was hired to photograph the entirety of the restoration—before, during, and after. Owing to this decision, an archive of two hundred large format photographs—both black and white, and multicolor—were developed for NPS and the Historic American Engineering ...
A marble replica of David is located in the gardens of the Instituto Ricardo Brennand, Recife, Brazil. It was made by Cervietti Franco & Company, again of Pietrasanta. A marble replica of David is located in Cerro Otto gallery of art, Bariloche, Rio Negro, Argentina. The gallery also displays replicas of Michelangelo's Moses and Pietà. [23]
A well-chosen speed for stone polishing causes the rocks within the barrel to slide past each other, with the abrasive grit between them. The result of this depends on the coarseness of the abrasive, and the duration of the tumble. Typically, a full tumble polish from rough rock to polish takes 3–5 weeks, and is done in a minimum of 3 steps.
Marble mis-nomers: Cetechovice marble (cetechovický mramor) from Cetechovice, Kroměříž District: coloured [c] Karlík marble (karlický mramor), from Barrandien, Karlík, Prague-West District: black with gold-yellow-colour veins [d] Podol marble (Podolský mramor), from Vápenný Podol, Chrudim District: white, grey-white, rosy [e]
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.