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A rare version with both saints: Ambrogio Bergognone, The Mystical Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena. The mystical marriage of Saint Catherine covers two different subjects often shown in Catholic art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical ...
Mystic Marriage of St. Catherine (Memling) Mystical Marriage of Saint Catherine (Michelino da Besozzo) Mystic Marriage of Saint Catherine (Moretto) Mystic Marriage of Saint Catherine (Moroni) Mystic Marriage of Saint Catherine (Veronese, c. 1547–1550)
Mystic Marriage of Saint Catherine or Mystic Marriage of Saint Catherine with Saints is a c.1510–1511 oil on canvas painting by Correggio, now in the National Gallery of Art in Washington. [1] Its central group is a Metterza , with Catherine of Alexandria kneeling before them and saints Francis of Assisi and Dominic to either side.
Mystic Marriage of Saint Catherine (Correggio, Washington), c. 1510–1511 painting in the National Gallery of Art in Washington D.C. Marriage of St. Catherine (Filippino Lippi), 1503 painting in the Basilica di San Domenico, Bologna, Italy; Mystic Marriage of Saint Catherine (Lotto, Munich), 1506–1508 painting in the Alte Pinakothek in ...
The Mystic Marriage of St. Catherine (or Virgin and Child with Saints Catherine of Alexandria and Barbara) is a c. 1480 oil-on-oak painting by the Early Netherlandish painter Hans Memling, now in the Metropolitan Museum of Art, New York. The Virgin Mary sits on a throne in a garden holding the Child Jesus in her lap.
Mystic Marriage of Saint Catherine of Alexandria with Saint Sebastian; Mystic Marriage of Saint Catherine: Artist: Antonio da Correggio Year: c. 1527: Dimensions: 105 cm (41 in) × 102 cm (40 in) Identifiers: Joconde work ID: 000PE024813
Mystic Marriage of Saint Catherine is a c.1520 oil on panel painting by Correggio, now in the National Museum of Capodimonte in Naples.. It is mentioned in an inventory of the goods of Barbara Sanseverino dated 27 April 1596 as "a painting by Correggio, called the Marriage of Saint Catherine, small but rejoicing in extreme beauty".
It shows the Mystic Marriage of Saint Catherine, a subject repeatedly returned to by the artist, such as in a c.1547–1550 work by the artist. It is one of the most successful variants on Titian 's 1519–1526 Pesaro Altarpiece for Santa Maria Gloriosa dei Frari , also in Venice, using the same asymmetric diagonal composition with the Madonna ...