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Two Thousand Women is a 1944 British comedy-drama war film about a German internment camp in Occupied France which holds British women who have been resident in the country. . Three RAF aircrewmen, whose bomber has been shot down, enter the camp and are hidden by the women from the Germa
Patricia Roc (born Felicia Miriam Ursula Herold; [1] 7 June 1915 – 30 December 2003) was an English film actress, popular in the Gainsborough melodramas such as Madonna of the Seven Moons (1945) and The Wicked Lady (1945), though she only made one film in Hollywood, Canyon Passage (1946).
According to the British Film Institute database, this film is the first in an "unofficial trilogy", along with Two Thousand Women (1944) and Waterloo Road (1945). Radford and Wayne reprise their roles of Charters and Caldicott from The Lady Vanishes (1938) and Night Train to Munich (1941), both scripted by Launder and Gilliat and produced by ...
In Esperia, 700 women were raped out of a population of 2,500 inhabitants, with 400 complaints presented. Even the parish priest, Don Alberto Terrilli, in an attempt to defend two girls, was tied to a tree and raped for a whole night. He died two days later from internal lacerations reported. In Pico, a girl was crucified with her sister.
A contemporary of Margaret Lockwood and Phyllis Calvert, Crawford is best remembered for her roles in women's pictures of the 1940s, such as Millions Like Us (1943), Two Thousand Women (1944), and They Were Sisters (1945). She married Wallace Douglas in 1953 and died of leukemia in a London nursing home in 1956, aged 35. [3]
The thousand-yard stare (also referred to as two-thousand-yard stare) is the blank, unfocused gaze of people experiencing dissociation due to acute stress or traumatic events. It was originally used about war combatants and the post-traumatic stress they exhibited but is now also used to refer to an unfocused gaze observed in people under a ...
L. M. Gillespie was one of the first women police officers to be employed by the city of Philadelphia, Pennsylvania. [1] [2] [3] She had previously partnered with Mary D. Diehl to rescue more than two thousand women and girls who had become victims of human trafficking. [4] [5] [6]
Gainsborough also produced other films during the war that featured strong women as the protagonist, such as the Launder and Gilliat "unofficial trilogy", Millions Like Us (1943) Two Thousand Women (1944) and Waterloo Road (1945). The Huggetts (1947-1949) film series were also notable in this regard. However, it was the melodramas that were the ...