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Bethesda Terrace and Fountain are two architectural features overlooking the southern shore of the Lake in New York City's Central Park. The fountain, with its Angel of the Waters statue, is located in the center of the terrace. Bethesda Terrace's two levels are united by two grand staircases and a lesser one that passes under Terrace Drive.
Bethesda Terrace and Fountain are located at the southeastern end of the Lake. [1] [18] They form the northern end of the Central Park Mall, the only formal feature in the park's original blueprint, the Greensward Plan. [19] The terrace is composed of two levels, the lower of which houses the fountain.
Terrace Drive Pedestrian plaza 1863 [125] 45 feet (14 m) 29 feet (8.8 m) 16 feet (4.9 m) Terrace Bridge is located outside Bethesda Terrace and Fountain and was completed in 1863. [126] [125] The upper terrace carries Center Drive from west to east and is supported by a seven-arched Arcade underneath.
Bethesda Terrace and Fountain, the USS Maine National Monument, and the Bow Bridge were also rehabilitated. [212] [213] [214] By then, the Conservancy was engaged in design efforts and long-term restoration planning, [215] and in 1981, Davis and Barlow announced a 10-year, $100 million "Central Park Management and Restoration Plan". [214]
Emma Stebbins (1 September 1815 – 25 October 1882) was an American sculptor and the first woman to receive a public art commission from New York City. She is best known for her work Angel of the Waters (1873), the centerpiece of the Bethesda Fountain, located on the Bethesda Terrace in Central Park, New York.
There had to be places for people to gather, to experience the human variety the City had to offer, as well as the inspiration of nature. And they succeeded splendidly with Bethesda Terrace and what we now call the Mall (formerly the Promenade). Date: 23 August 2009, 05:55: Source: Bethesda Terrace, Central Park, NYC. Uploaded by Ekabhishek; Author
Constructed of Manhattan schist quarried in the park and dressed with gray granite, it tops the natural-looking woodlands of The Ramble, as seen from the formal Bethesda Terrace. The natural rock was tunneled through for the innovative sunken transverse roadway that still carries commercial and other traffic unobtrusively through the park.
The Mall was designed so that a carriage could disgorge its passengers at the south end, then drive round and pick them up again overlooking Bethesda Terrace, whose view of the Lake and Ramble formed the "ultimatum of interest" in Olmsted and Vaux's vision.