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The album's sleeve design was adapted from that of a hi-fi test record issued by Hi-Fi Sound magazine in 1969; [18] the record itself is sampled on the song "Jenny Ondioline". [19] The majority of the first 1,500 LP copies of Transient Random-Noise Bursts were destroyed due to bad pressing quality.
The album is a parody of stereo test and demonstration records, which were used by hi-fi enthusiasts to test the performance of their audio systems. The tracks are titled as if they are normal audio test tracks, but in reality each one is a piece of sketch comedy. The album does, however, also function as a real stereo test recording.
Sound-Dust is the seventh studio album by English-French rock band Stereolab.It was released on 28 August 2001 in North America by Elektra Records and on 3 September 2001 internationally by Duophonic Records. [17]
Stereolab's album and song titles occasionally reference avant-garde groups and artists. Gane said that the title of their 1999 album Cobra and Phases Group… contains the names of two Surrealist organisations, " CoBrA " and "Phases Group", [ 73 ] The title of the song "Brakhage" from Dots and Loops (1997), is a nod to experimental filmmaker ...
All of the items recorded on the tape are comedy sketches; the majority of them are also functional car stereo tests. One sketch is an old-fashioned country music song of love lost, where the lyrics use tones that vary from 30 cycles per second (now known as the hertz) up to 15,000 cycles per second. Another sketch explains to the consumer how ...
According to AllMusic critic Stephen Thomas Erlewine, Dots and Loops is primarily influenced by bossa nova and 1960s pop music. [5] Barney Hoskyns of Rolling Stone found that the album continued Stereolab's progression towards a lighter sound that he termed "avant-easy listening", [6] while Michelle Goldberg of Metro referred to it as the band's "lounge apotheosis". [7]
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Those who test and evaluate equipment can be roughly divided into two groups: "Objectivists", who believe that all perceivable differences in audio equipment can be explained scientifically through measurement and double-blind listening tests; and the "Subjectivists", who believe that the human ear is capable of hearing details and differences ...