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Traditionally speaking in the Islamic empire, Arabic calligraphy was the common form of recording texts. Calligraphy is the practice or art of decorative handwriting. [ 3 ] The demand for calligraphy in the early stages of the Islamic empire (circa 7–8th century CE) can be attributed to a need to produce Qur'an manuscripts.
Islamic calligraphy is the artistic practice of penmanship and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It is a highly stylized and structured form of handwriting that follows artistic conventions and is often used for Islamic religious texts , architecture , and decoration . [ 2 ]
Leaf from the Blue Quran showing Sura 30: 28–32, Metropolitan Museum of Art, New York.. The Blue Quran (Arabic: الْمُصْحَف الْأَزْرَق, romanized: al-Muṣḥaf al-′Azraq) is an early Quranic manuscript written in Kufic script. [1]
Calligraphers in the early Islamic period used a variety of methods to transcribe Quran manuscripts. Arabic calligraphy became one of the most important branches of Islamic Art. Calligraphers came out with the new style of writing called Kufic. Kufic is the oldest calligraphic form of the various Arabic scripts.
It is among the most famous works of Islamic calligraphy, [37] and has been called "one of the most extraordinary luxury manuscripts ever created." [38] Because the manuscript was done in Kufic style writing, it is quite hard to read. "The letters have been manipulated to make each line the same length, and the marks necessary to distinguish ...
Naskh [a] is a smaller, round script of Islamic calligraphy. Naskh is one of the first scripts of Islamic calligraphy to develop, commonly used in writing administrative documents and for transcribing books, including the Qur’an , because of its easy legibility.
Among Islamic manuscripts in China, Sini script can be found in many Qur'ans produced in China throughout the Ming and Qing dynasties. Examples include a Qur'an from China dated to 1013/1605 in the Nasser D. Khalili Collection of Islamic Art (QUR992) and a Qur'an from China dated to the 16th-18th century in the Tareq Rajab Museum (TSR-MS-11). [9]
The dedication is to Murad III, also naming his compiler Mehmed Cenderecizade. The Murad III muraqqa was designed much more extravagantly than other Islamic muraqqa and with original nakkashane (Ottoman painting studio) border paintings. [27] This muraqqa contained miniature paintings, ink drawings, and calligraphy, including ghazals.
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