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The hulusi (simplified Chinese: 葫 芦 丝; traditional Chinese: 葫蘆絲; pinyin: húlúsī), also known as the cucurbit flute [1] and the gourd flute, [2] is a free reed wind instrument from China, Vietnam, and the Shan State, played also by the indigenous people of Assam.
Taodi and Wudu (Chinese ocarina.) Free reed flutes: Bawu (transverse free-reed flute) Hulusi (vertical gourd free-reed flute normally with one or two drone pipes) Chinese flutes are generally made from bamboo (see bamboo flute) and belong to the bamboo classification of Chinese music, although they can be (and have been) made of other materials ...
Chinese folk flute music are folk songs written to tell the traditions and tales of various tribes in China, around the 12th century. They were played mostly on wooden flutes , and thus the pieces that have survived till today are written in D, which is the key these early flutes were made in.
Hulu Sheng is the Han Chinese name of the gourd mouth organ and has different names in different minority groups in southern China, such as Ang in Yi, Maniu in Lisu and Nuo in Lahu. [3] Commonly, the instrument is made of a dried gourd bottle as the windchest with its narrow neck as the mouthpiece . [ 1 ]
Didier Malherbe [a] (born January 22, 1943, in Paris), is a French jazz, rock and world music musician, known as a member of the bands Gong and Hadouk, as well as a poet.. His first instrument was a saxophone, but he also plays flutes, alto clarinet, ocarina, Laotian Khen, Bawu flute, Hulusi and many other wind instruments.
Chinese numerology gave Wang Xiao-Jing the idea for the Twelve Girls Band. [ citation needed ] When Xiao-Jing decided he wanted to create a female ensemble, he knew it needed 12 members. Per Chinese mythology it is the twelve jinchai (12 hairpins) representing womanhood.
The 2012 Chinese film Back to 1942 featured the Canaan hymn "The River of Life" as its theme song. The hymn "I Love My Home" has also appeared on China Central Television, [16] [17] sung by a Christian family, [16] despite the channel's reputation as propaganda of the officially atheist state. [18] Many Chinese regard the Canaan hymns a gift ...
The use of xun in the Chinese history was found mainly in the performance of palace music. [5] However, the sound of xun is also associated as the symbol of respectable hermits, lady in sorrow, or heroes at the end of their strength, and is considered the best instrument to perform a heartbreaking tone, or to make solemn music within the royal ...