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The species of salmon can be remembered through the fingers on the hand: chum is the thumb, sockeye is your index finger (like poking someone in the eye), king is your middle finger (the largest of the fingers), silver is your ring finger, pink is the pinky finger. [2]
The title of a work of art can have an impact on its reception and aesthetic interpretation, and can also be an aspect of the artist's overall vision for the piece. This can be particularly the case for abstract art. [17] [18] In some cases, the title of a work of art may be a quote or homage to another work of art
Positive space refers to the areas of the work with a subject, while negative space is the space without a subject. [6] Open and closed space coincides with three-dimensional art, like sculptures, where open spaces are empty, and closed spaces contain physical sculptural elements. [6]
Labelling or using a label is describing someone or something in a word or short phrase. [1] For example, the label "criminal" may be used to describe someone who has broken a law. Labelling theory is a theory in sociology which ascribes labelling of people to control and identification of deviant behaviour.
An artist's statement (or artist statement) is an artist's written description of their work. The brief text is for, and in support of, their own work to give the viewer understanding. As such it aims to inform, connect with an art context, and present the basis for the work; it is, therefore, didactic, descriptive, or reflective in nature.
Elements of art – group of aspects of a work of art used in teaching and analysis, in combination with the principles of art. They are texture, form, line, color, value, and shape. Perspective – the principle of creating the illusion of 3-dimensionality on a 2-dimensional source such as paper.
Design elements are the basic units of any visual design which form its structure and convey visual messages. [1] [2] Painter and design theorist Maitland E. Graves (1902–1978), who attempted to gestate the fundamental principles of aesthetic order in visual design, [3] in his book, The Art of Color and Design (1941), defined the elements of design as line, direction, shape, size, texture ...
The CDWA was created by the Art Information Task Force (AITF), which encouraged dialog between art historians, art information professionals, and information providers so that together they could develop guidelines for describing works of art, architecture, groups of objects, and visual and textual surrogates.