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The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4] Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired. [5]
Resist dyeing has been very widely used in Asia, Africa, and Europe since ancient times. The earliest extant pieces of resist-dyed fabric were found in Egypt, dating to the 4th century AD. [citation needed] Cloths used for mummy wrappings were sometimes coated with wax, scratched with a sharp stylus, and dyed with a mixture of blood and ashes.
Batik is a dyeing technique using wax resist. The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process. This creates a patterned negative when the wax is removed from the dyed cloth.
Wax resist A decorating technique where liquid wax is applied to ware to create a pattern. When an aqueous glaze suspension is then applied to the whole article the waxed areas repel the glaze, whereas unwaxed areas are coated. The wax burns away during firing. Wedging
Michael John Simon (1947 – 29 August 2021) was an American ceramic artist. He is known primarily for his salt-fired stoneware works combining distinct forms with wax-resist animal or natural motifs. [1] [2]
Raku is a unique form of pottery making; what makes it unique is the range of designs that can be created by simply altering certain variables. These variables—which include wax resist, glazes, slips, temperature, and timing [16] —ultimately determine the outcome when firing a piece of clay.
[1] [7] He followed sgraffito and wax resist techniques to decorate his ceramics. [6] It is noted that his work had an influence from the Swedish designer Stig Lindberg and the American artist Peter Voulkos. [6] His works are in notable museums including the Smithsonian American Art Museum and the Everson Museum of Art. [3]
An example of shibori tied in small dots to form a tortoiseshell (kikko) design. There are many ways to create shibori, with techniques generally grouped into three categories: kōkechi, tied or bound resists; rōkechi, wax resists; and kyōkechi, resists where the fabric is folded and clamped between two carved wooden blocks.