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An illustration from an 1866 Japanese book. Mahoraga, who is an incarnation of Bodhisattva Kannon in this scene, gives a sermon to folks. The Mahoraga are one of the eight classes of deities (aṣṭasenā) that are said to protect the Dharma. They are described as huge subterranean serpents who lie on their sides and rotate the earth, which ...
It is so-called because it appears on a number of edicts of Ashoka the Great, [1] most prominent among which is the Lion Capital of Ashoka. [2] The most visible use of the Ashoka Chakra today is at the centre of the Flag of India (adopted on 22 July 1947), where it is rendered in a navy blue colour on a white background, replacing the symbol of ...
A tanga in Jaora, India. A tonga or tanga is a two-wheeled cart drawn by a single horse. It is used for transportation in the Indian subcontinent.There is a canopy over the body, one seat faces forward for the driver and one passenger, and one seat faces the rear for a second passenger.
The all-wheel-drive system helped keep grip and control at a maximum, and the thicker tires in Sterrato actually made the ride slightly more forgiving. But it was off-road where this car blew my mind.
The Eight Legions (Sanskrit: अष्टसेना, Aṣṭasenā; 八部衆) are a group of Buddhist deities whose function is to protect the Dharma.These beings are common among the audience addressed by the Buddha in Mahāyāna sūtras, making appearances in such scriptures as the Lotus Sutra and the Golden Light Sutra.
Attention big spinners: Come on down to Yahoo Entertainment's virtual Price is Right experience!To celebrate the 50th season of the beloved daytime game show, we're giving fans the opportunity to ...
Ratha (Proto-Indo-Iranian: *Hrátʰas, Vedic Sanskrit: रथ, IAST: rátha; Avestan: raθa) is the Indo-Iranian term for a spoked-wheel chariot. The term has been used since antiquity for both fast chariots and other wheeled vehicles pulled by animals or humans, in particular the large temple cars or processional carts still used in Indian ...
However, today the 72 mēḷakarta ragas use a standardized pattern, unlike Venkatamakhi's pattern, and have gained a significant following. Govindhacharya is credited with the standardization of rules and known for giving different names for standard ragas that have a different structure but the same swaras as those proposed by Venkatamakhi. [ 3 ]