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"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Yellow Submarine". Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship. [3]
The album also includes a cover of The Beatles’ "Eleanor Rigby". "Carry On Wayward Son" was also recorded during this time, in case strong sales would bring forth a second symphonic album, but was never released. This is the final Kansas album to include new songs from lead singer/keyboardist Steve Walsh.
[1] [2] They had a top-five hit on the Go-Set national singles chart with a heavy rock cover of the Beatles' ballad "Eleanor Rigby" released in 1970, but they disbanded in May 1971. Mainstay members were Beeb Birtles on bass guitar, later a founder of Little River Band in 1975, and Darryl Cotton on lead vocals, later a solo artist and then a ...
In the UK, where "Eleanor Rigby" was the favoured side, the single became the best-selling song of 1966, [213] after topping the national chart for four weeks during August and September. [242] On Record Retailer ' s LPs chart (later the UK Albums Chart ), Revolver entered at number 1 [ 338 ] and stayed there for seven weeks during its 34-week ...
AllMusic rated the album with 4 stars noting: "Feel is what dictates the material and its execution on this set, without unnecessary attention paid to crowd or recording apparatus.
In 1986, "Yellow Submarine" / "Eleanor Rigby" was reissued in the UK as part of EMI's twentieth anniversary of each of the Beatles' singles and peaked at number 63 on the UK Singles Chart. [171] The 2015 edition of 1 and the expanded 1+ box set includes a video clip for the song, compiled from footage from the 1968 animated film. [172]
The A 7 chord is an example of a secondary dominant, specifically a V/vi chord. The G 7 chord in the bridge is another secondary dominant, in this case a V/V chord, but rather than resolve it to the expected chord, as with the A 7 to Dm in the verse, McCartney instead follows it with the IV chord, a B ♭.
The stereo version of the song, finalised on 17 April 1967, runs at a slower speed than the mono mix, completed on 20 March 1967, and consequently is a semitone lower in pitch. [ 14 ] [ 15 ] A 2007 Mojo magazine article revealed that the final mono mix was sped up to make McCartney sound younger. [ 16 ]