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Modern standard models have a maximum shutter exposure opening of 165 degrees, (not 180 degrees as claimed in Arri manuals), the 35 IIC-BV model having a variable shutter. The mirror shutter allows the camera operator to see a viewfinder image equal to the recorded picture, without parallax, although there is noticeable image flicker in the ...
The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975. This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format. 'SR' Stands for Silent Reflex.
The functionality is similar to the Arriflex 16M. It is built around the spinning reflex twin-bladed "butterfly" mirror shutter, set at 45 degrees horizontally to the lens axis. It is self blimped and measures 31 dB while running, at a 3 ft distance from the camera. [1]
The Arri 765 is a 65 mm camera with a 5-perforation pull-down mechanism. The mirror reflex shutter is manually adjustable between 180° and 15° and has a diameter of 200 mm. The camera can record between 2 and 100 fps, the motors can run both in forward and reverse mode.
Shutter: reflex mirror; manual model stops at 11.2°, 22.5°, 30°, 45°, 60°, 75°, 90°, 105°, 120°, 135°, 144°, 172.8° and 180°, all other models can be adjusted continuously between 11.2° and 180° while either running or in standby mode: Viewfinder
ST with open door. Like earlier models, the ARRI 16ST was built around the spinning reflex twin-bladed "butterfly" mirror shutter designed by Erich Kästner, chief engineer at Arnold & Richter Cine Technik (ARRI), Arri Group, set at 45 degrees horizontally to the lens axis.
Arriflex 435ES. Arri debuted two models of the 435 in 1995: the 435 and 435ES. The latter is suffixed ES to denote electronic shutter capabilities; this means that the shutter angle is able to be continuously electronically adjusted, even while the camera is running, and set to any angle within a specific range (11.2° to 180°) to a great deal of precision (0.1°).
As such, the Arricam is a fusion of the mechanical and intuitive design innovations of the Moviecam and the interchangeable accessories and complex electronic integration of the Arriflex. As of 2006 [update] , the Arricam is considered, along with the Panaflex Millennium line, the top sync-sound camera system currently in usage, and is ...