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Examples include: "The sequence 1, 2, 3, ... continues ad infinitum." "The perimeter of a fractal may be iteratively drawn ad infinitum." The 17th-century writer Jonathan Swift incorporated the idea of self-similarity in the following lines from his satirical poem On Poetry: a Rhapsody (1733):
ad infinitum: to infinity: i.e., enduring forever. Used to designate a property which repeats in all cases in mathematical proof. Also used in philosophical contexts to mean "repeating in all cases". ad interim (ad int.) for the meantime: As in the term "chargé d'affaires ad interim", denoting a diplomatic officer who acts in place of an ...
In music, the conclusion is the ending of a composition and may take the form of a coda or outro. Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected ...
The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded:
Baroque opera arias and a considerable number of baroque sacred music arias was dominated by the Da capo aria which were in the ABA form. A frequent model of the form began with a long A section in a major key, a short B section in a relative minor key mildly developing the thematic material of the A section and then a repetition of the A section. [4]
The album received mostly positive reviews. Distorted Sound Magazine described the album "Heavily inspired by the history and mythology of Ancient Egypt, 'Chapter III - Downfall' is an album where every track is a potential single in waiting, it's a lean, efficient and finely-tuned machine.
Note Rest American name British name Relative value Dotted value Double dotted value Triple dotted value; large, duplex longa, or maxima [1] [2] (occasionally octuple note, [3] octuple whole note, [4] or octuple entire musical note) [5]
A false ending is a device in film and music that can be used to trick the audience into thinking that the work has ended, before it continues. The presence of a false ending can be anticipated through a number of ways. The medium itself might betray that the story will continue beyond the false ending.