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The fifth trumpet is the "first woe" of three. Before this trumpet sounds, an angel (translated as an eagle in some versions) appears, and warns, "Woe, woe, woe, to those who dwell on the earth, because of the remaining blasts of the trumpet of the three angels who are about to sound!" [8]
Revelation 9 is the ninth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. ... The Fifth Trumpet (9:1–11)
The opening of the fifth Seal releases the cries of martyrs for the "Word/Wrath of God". [2] The sixth Seal prompts plagues, storms and other cataclysmic events. [3] [4] The seventh Seal cues seven angelic trumpeters who in turn cue the seven bowl judgments and more cataclysmic events. [5] Lamb opening the seven seals, by Julius Schnorr von ...
Third Trumpet: A great star, named Wormwood, falls from heaven and poisons a third of the rivers and springs of water. (8:10–11) Fourth Trumpet: A third of the sun, the moon, and the stars are darkened creating complete darkness for a third of the day and the night. (8:12–13) Fifth Trumpet: The First Woe (9:1–12)
The fifth seal is broken revealing the souls of those who had been slain for the "Word of God". The sixth seal is broken "and there was a great earthquake; and the sun became black as sackcloth made of hair, and the whole moon became like blood; and the stars of the sky fell to the earth.
The classical historicist identifies the first four trumpets with the pagan invasions of Western Christendom in the 5th century AD (by the Visigoths, Vandals, Huns, and Heruli), while the fifth and sixth trumpets have been identified with the assault on Eastern Christendom by the Saracen armies and Turks during the Middle Ages.
Hallelujah shows up just four times in the New Testament, all in the Book of Revelation. All four come at the climax of the text, when God delivers his people from the destructive power of Babylon.
He dated the Millennium from 300 to 1300, marking 1300 as the onset of Ottoman dominance lasting until 1594 (the fifth and sixth apocalyptic trumpets). [37] His reading of chapter 13 followed the approach of German Protestant commentators. Subsequent English commentators included John Napier (1593), Thomas Brightman (1596), and Joseph Mede ...