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The slide trumpet is an early type of trumpet fitted with a movable section of telescopic tubing, similar to the slide of a trombone. Eventually, the slide trumpet evolved into the sackbut , which evolved into the modern-day trombone.
Seldom used in classical music since its first known appearance in 1677, it survived principally in the trombone ensembles of Moravian Church music. During the 20th century some soprano trombones—dubbed slide cornets—were made as novelties or for use by jazz trumpet players including Louis Armstrong and Dizzy Gillespie.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 17 February 2025. Brass instrument "Trumpeter" redirects here. For other uses, see Trumpeter (disambiguation) and Trumpet (disambiguation). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be ...
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet.Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
In Scotland in 1538 the slide instrument is referred to as draucht trumpet (drawn trumpet) as opposed to a weir trumpet (war trumpet), which had a fixed length. [9] In Germany, the original word was Posaune, appearing about 1450 and is still used today. This (as well as bason) derives from busine, which is Latinate and meant straight trumpet. [10]
Wind instruments can effect a similar limited slide by altering the lip pressure (on trumpet, for example) or a combination of embouchure and rolling the head joint (as on the flute), while others such as the clarinet can achieve this by slowly dragging fingers off tone holes or changing the oral cavity's resonance by manipulating tongue ...
88) that a slide could fill out a melodic gap whose final note occurs on a weak beat. [10] In discussing three-note slides, Türk states that the character of the slide is wholly dependent on the mood of the music: a lively work will suggest a fast slide, and a "sorrowful" work will be the appropriate place for a slower decoration. [11]