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The organization was founded in 1968 by a group of scientific and botanical illustrators working for the Smithsonian Institution. [3] [4] [5] It began as a network for the Institution's scientific illustrators to connect across different departments, but quickly expanded to include illustrators at other institutions as well as freelancers. [4]
Scientific illustrators represent visually aspects of science, particularly observations of the natural world. The emphasis in scientific illustration is on accuracy and utility, rather than on aesthetics, although scientific illustrators are skilled artists and often known for aesthetic values. Scientific illustration was an important part of ...
Biological illustration has traditionally employed the techniques of using carbon dust, color pencil, stipple pen and ink, lithography, watercolor and gouache; however, digital illustration has recently become more important in the field. Every professional scientific illustration begins with multiple rough sketches.
The SI conducts scientific and scholarly research; publishes the results of studies, explorations, and investigations; organizes exhibits representative of the arts, the sciences, American history, and world culture; and engages in educational programming and national and international cooperative research.
American natural history illustrators (2 C, 2 P) Pages in category "American scientific illustrators" The following 4 pages are in this category, out of 4 total.
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Check if a Wikidata item on illustrator exists. If not, create one. Example: Clarissa Munger Badger (Q20769459) If Wikidata item does exist, check that the Stuttgart Database of Scientific Illustrators identifier is linked as well as any BHL creator identifier. Discover and add to Wikidata item the VIAF identifier for the illustrator if lacking ...
The Stuttgart Database of Scientific Illustrators 1450–1950 (abbreviated DSI) is an online repository of bibliographic data about people who illustrated published scientific works from the time of the invention of the printing press, around 1450, until 1950; [1] the latter cut-off chosen with the intention of excluding currently-active illustrators.