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The Snow Maiden: A Spring Fairy Tale (Russian: Снегурочка–весенняя сказка, romanized: Snegurochka–vesennyaya skazka) is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881.
The Snow Maiden – Suite; includes "Dance of the Skomorokhi" (act 3) (also known as "Dance of the Clowns" or "Dance of the Tumblers") Mlada. Suite; includes "Procession of the Nobles" Night on Mount Triglav, 1899–1901; purely orchestral adaptation of act 3; Christmas Eve Suite. Includes "Polonaise" (from Christmas Eve, act 3, tableaux no. 7)
The Snow-maiden is a character who is the personification of love and passion, and yet she melts in the first rays of the sun. Rimsky-Korsakov’s works mirror the snow-maiden, as they are exquisite, but can quickly turn cold and pellucid and “dissolve at the touch of the living language of passion”. [138]
The tale was also adapted into an opera by Nikolai Rimsky-Korsakov titled The Snow Maiden: A Spring Fairy Tale (1880–1881). The story of Snegurochka was adapted into two Soviet films: an animated film with some of Rimsky-Korsakov's music, called The Snow Maiden (1952), and the live-action film The Snow Maiden (1968).
The Snow Maiden (Russian: Снегу́рочка; tr.:Snegurochka) is a 1952 Soviet/Russian traditionally animated feature film. It was produced at the Soyuzmultfilm studio in Moscow and is based on the 1873 Slavic-pagan play of the same name by Aleksandr Ostrovsky (itself largely based on traditional folk tales). [1]
May Night (Russian: Майская ночь, romanized: Mayskaya noch listen ⓘ) is a comic opera in three acts, four scenes, by Nikolai Rimsky-Korsakov from a libretto by the composer and is based on Nikolai Gogol's story "May Night, or the Drowned Maiden", from his collection Evenings on a Farm Near Dikanka (1829-1832).
The second is a suite. Night on Mt. Triglav (1899–1901) This is a purely orchestral arrangement of Act III, restyled as a lengthy symphonic poem for orchestra. Approximately a half-hour in duration, the program in the printed score follows the action of the opera during the corresponding act of the opera. Suite from the Opera-Ballet Mlada (1903)
The film depicts the final two decades of the life of Russian composer Nikolai Rimsky-Korsakov. Exploring his creative and pedagogical philosophy, the narrative highlights key moments such as his lectures at the school of composers he founded, intense debates about the "anti-popular" nature of Ramensky's music (a character based on Igor Stravinsky), struggles against the tyranny of Imperial ...