Search results
Results From The WOW.Com Content Network
His shirt has full sleeves gathered at the wrists with ruffles, 1756. Man's fitted double-breasted banyan, an at-home gown or informal coat, made in the Netherlands of Chinese silk, 1750–60. Suit of 1761 features a dark blue coat and waistcoat with fine embroidery on the edges, deep cuffs, and pocket flaps. Hair is tied back but not powdered.
Portrait of Georg Friedrich Händel wearing a mulberry-colored coat trimmed with bands of embroidery and fastened with buttons and loops over a patterned waistcoat (barely visible under the coat) and a white shirt with ruffles, 1749. Man's silk coat with wide cuffs, 1745–1750, in a lace-like floral pattern of white on brown, France.
Western dress codes are a set of dress codes detailing what clothes are worn for what occasion that originated in Western Europe and the United States in the 19th century. . Conversely, since most cultures have intuitively applied some level equivalent to the more formal Western dress code traditions, these dress codes are simply a versatile framework, open to amalgamation of international and ...
A Western shirt is a traditional item of western wear characterized by a stylized yoke on the front and on the back. It is generally constructed of chambray , denim or tartan fabric with long sleeves, and in modern form is sometimes seen with snap pockets, patches made from bandana fabric, and fringe.
The Nudie suit, a highly decorated form of western wear. The Ivy League style of simplified, understated suits and casual clothing was popular for young men from the mid-1950s until the end of the 1960s, when it was supplanted by the flared, colorful styles of the peacock revolution and the influences of the hippie counterculture.
A suit, also called a lounge suit, business suit, dress suit, or formal suit is a set of clothes comprising a suit jacket and trousers of identical textiles generally worn with a collared dress shirt, necktie, and dress shoes. A skirt suit is similar, but with a matching skirt instead of trousers.
Full-dress shirts had ruffles of fine fabric or lace, while undress shirts ended in plain wrist bands. A small turnover collar returned to fashion, worn with the stock. In England, clean, white linen shirts were considered important in Men's attire. [10] The cravat reappeared at the end of the period.
Susanna Huygens wore a long, tight white satin bodice with paned sleeves lined in pink and a matching petticoat. Her hair is worn in a mass of tight curls, and she wears pearl eardrops and a pearl necklace, 1667–69. Portrait of Barbara Villiers, mistress of King Charles II, painted by John Michael Wright, c. 1670 in the romantic style.