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Les nuits d'été (Summer Nights), Op. 7, is a song cycle by the French composer Hector Berlioz. It is a setting of six poems by Théophile Gautier . The cycle, completed in 1841, was originally for soloist and piano accompaniment.
Herminie (with Les Nuits d'été): Mireille Delunsch, Paris Champs-Elysées Orchestra, Philippe Herreweghe cond. (Harmonia Mundi) Herminie (with Symphonie fantastique): Aurélia Legay, Mahler Chamber Orchestra / Les Musiciens du Louvre, Marc Minkowski cond.
Summer Nights (French: Les nuits d'été) is a French drama film, directed by Mario Fanfani and released in 2014. [1] The film stars Guillaume de Tonquédec as Michel, a married man who has a secret life as a cross-dresser who goes by the drag name Mylène.
Les nuits d'été (Summer Nights), Op. 7, is a song cycle by the French composer Hector Berlioz, setting six poems by Théophile Gautier. The cycle, completed in 1841, was originally for soloist and piano accompaniment. Berlioz orchestrated one of the songs in 1843 and did the same for the other five in 1856.
part of Les nuits d’été 83 Le spectre de la rose: part of Les nuits d’été 84 Sur les lagunes, lamento part of Les nuits d’été 85 Absence: part of Les nuits d’été 86 Au cimetière, clair de lune part of Les nuits d’été 87 L’ile inconnue: part of Les nuits d’été 88 8 Rêverie et caprice , romance 1841 1 February 1842
The album was recorded digitally in the Symphony Hall, Boston. Berlioz's Les nuits d'été was recorded on 17 October 1983, following a live performance of the work in Symphony Hall on 15 October 1983. [1] [3] Debussy's La damoiselle élue was recorded on 10 October 1983, following live performances of the work in Symphony Hall on 7 and 8 ...
Each table is arranged alphabetically by the specific work, then by the language of the translation. Translations are then sub-arranged by date of publication (earliest-latest). Where possible, the date of publication given is the date of the first edition by that translator. More modern editions/versions may be available.
Steane returned to the album in Gramophone in January 1998, reviewing a compilation CD [10] which coupled von Stade's Shéhérazade with her later recordings of Berlioz's Les nuits d'été and Claude Debussy's La damoiselle élue. He had become fond of von Stade's singing, he wrote, because she "brought to everything, but especially the French ...