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  2. Guitar tunings - Wikipedia

    en.wikipedia.org/wiki/Guitar_tunings

    Standard tuning defines the string pitches as E (82.41 Hz), A (110 Hz), D (146.83 Hz), G (196 Hz), B (246.94 Hz), and E (329.63 Hz), from the lowest pitch (low E 2) to the highest pitch (high E 4). Standard tuning is used by most guitarists, and frequently used tunings can be understood as variations on standard tuning.

  3. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    This allows for the note range of B standard tuning without transposing E standard guitar chords down two and a half steps down. Baritone 7-string guitars are available which features a longer scale-length allowing it to be tuned to a lower range. Standard 7-string tuning – B'-E-A-d-g-b-e' Standard tuning for a seven-string guitar.

  4. E-flat - Wikipedia

    en.wikipedia.org/wiki/E-flat

    E-flat may refer to: E♭ (musical note) ... E-flat tuning, on a guitar "E Flat Boogie", a 1980 single by American funk band Trouble Funk; See also. E-flat clarinet ...

  5. Musical tuning - Wikipedia

    en.wikipedia.org/wiki/Musical_tuning

    The most commonly used tuning is A-E-A-E. Likewise banjo players in this tradition use many tunings to play melody in different keys. A common alternative banjo tuning for playing in D is A-D-A-D-E. Many Folk guitar players also used different tunings from standard, such as D-A-D-G-A-D, which is very popular for Irish music.

  6. Standard tuning - Wikipedia

    en.wikipedia.org/wiki/Standard_tuning

    Low E falls a major third above the C on a standard-tuned cello. Renaissance lute – E 2 A 2 D 3 F♯ 3 B 3 E 4 (used by classical guitarists for certain pieces; identical to standard guitar tuning, except for the F♯, lowered one semitone from the standard G string, placing the major third between 3rd and 4th rather than 2nd and 3rd strings)

  7. Meantone temperament - Wikipedia

    en.wikipedia.org/wiki/Meantone_temperament

    All syntonic tunings, including the meantones and the various just intonations, conceivably have an infinite number of notes in each octave, that is, seven natural notes, seven sharp notes (F ♯ to B ♯), seven flat notes (B ♭ to F ♭) (which is the limit of the orchestral harp, which allows 21 pitches in an octave); then double sharp ...