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Chinese blue-and-white ware were copied in Europe from the 16th century, with the faience blue-and-white technique called alla porcelana. Soon after the first experiments to reproduce the material of Chinese blue-and-white porcelain were made with Medici porcelain. These early works seem to be mixing influences from Islamic as well as Chinese ...
In 1970 a small fragment of a blue and white bowl, again dated to the 11th century, was also excavated in the province of Zhejiang. In 1975, shards decorated with underglaze blue were excavated at a kiln site in Jiangxi and, in the same year, an underglaze blue and white urn was excavated from a tomb dated to 1319, in the province of Jiangsu.
It made them the earliest-dated blue-and-white porcelains known at the time of their acquisition, although blue-and-white porcelains are likely to have been made earlier. The vases are named after Sir Percival David who collected the vases from two different sources, and form part of the collection of the Percival David Foundation of Chinese ...
She was in a Maryland thrift store in 2019 and found a vase on the clearance rack for just $3.99. “I saw this vase, and I assumed it was like a tourist reproduction,” Dozier told The ...
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge (1688) is an oil on canvas painting by the Dutch painter Rachel Ruysch.It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts, in Washington, D.C..