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Saint Jerome Writing is a painting by the Italian master Michelangelo Merisi da Caravaggio in 1607 or 1608, housed in the Oratory of St John's Co-Cathedral, Valletta, Malta. It can be compared with Caravaggio's earlier version of the same subject in the Borghese Gallery in Rome .
Michelangelo di Lodovico Buonarroti Simoni [a] (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, [b] [1] was an Italian sculptor, painter, architect, [2] and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art.
Evidence of Michelangelo's painting style is seen in the Doni Tondo.His work on the image foreshadows his technique in the Sistine Chapel.. The Doni Tondo is believed to be the only existing panel picture Michelangelo painted without the aid of assistants; [7] and, unlike his Manchester Madonna and Entombment (both National Gallery, London), the attribution to him has never been questioned.
The work is an obvious homage to the stiacciato low reliefs of Donatello, as Vasari also noted, both in technique and sizes plans with millimeter thickness variations, both in iconography, starting from the scale pattern with pronounced steps and handrails foreshortened, visible for example in the Feast of Herod in Lille.
The following is a list of works of painting, sculpture and architecture by the Italian Renaissance artist Michelangelo. Lost works are included, but not commissions that Michelangelo never made. Michelangelo also left many drawings, sketches, and some works in poetry.
An early example of cangiante by Giotto from the Arena Chapel. Note the shift in color on the robes. The greatest practitioner of the cangiante technique was Michelangelo, [4] especially in many parts of the Sistine Chapel ceiling. For example, in the image of the prophet Daniel, a transition from green to yellow is evident in the subject's ...
Early examples can be seen in the work of Leonardo da Vinci, Raphael and Michelangelo. Emil Maurer writes of the painter and theorist Gian Paolo Lomazzo (1538–1600): "The recommended ideal form unites, after Lomazzo, three qualities: the pyramid, the serpentinata movement and a certain numerical proportion, all three united to form one whole.
Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...