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Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Not only are many chants in mode III and VIII in need of melodic restitution, there are errors in all other modes. The Munsterschwarzach-Group (Godehard Joppich, Stefan Klockner et al.)(publishers of the Beiträge zur Gregorianik ) have been issuing their own melodic restitutions, as has Anton Stingl, and Geert Maassen with his Fluxus .notation.
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
The songs were compulsory as Gregorian chant for the Roman church and largely replaced local vocal styles. In the style of the Gregorian chant emerged many new compositions that were increasingly melismatic. Their texts came from the Ordinary and the Proprium Missae, from antiphons for the worship service, and pieces from the Liturgy of the Hours.
Gregorian chant is a variety of plainsong named after Pope Gregory I (6th century A.D.), but Gregory did not invent the chant. The tradition linking Gregory I to the development of the chant seems to rest on a possibly mistaken identification of a certain "Gregorius", probably Pope Gregory II, with his more famous predecessor. The term ...
In this process of chant transmission, which followed Charlemagne's reform, the so-called "Gregorian chant" or Franco-Roman chant, as it was written down about 150 years after the reform, was born. The function of the tonary within chant transmission explains why local schools of Latin chant can be studied by their tonary.
Gregorian chant setting for Kyrie XI notated in neumes.. The Kyriale is a collection of Gregorian chant settings for the Ordinary of the Mass.It contains eighteen Masses (each consisting of the Kyrie, Gloria [excluded from Masses intended for weekdays/ferias and Sundays in Advent and Lent], Sanctus, and Agnus Dei), six Credos, and several ad libitum chants.
Indeed, in respect of the chant of the Church, it is very probable that the great pope took no immediate interest in this part of divine worship; much less do the antiphonary and the sacramentary which bear his name agree in any way with the ecclesiastical calendar of St. Gregory's time; if they are at all rightly called Gregorian, it must be ...