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Jesus only appeared to be a flesh-and-blood man; his body was a phantasm. Other groups who were accused of docetism held that Jesus was a man in the flesh, but Christ was a separate entity who entered Jesus' body in the form of a dove at his baptism, empowered him to perform miracles, and abandoned him upon his death on the cross.
Hans Grass (1964) proposed an "objective vision hypothesis," in which Jesus' appearances are "divinely caused visions," showing his followers that his resurrection "was a spiritual reality." [37] Jesus' spirit was resurrected, but his body remained dead, explaining the belated conversion of Jesus' half-brother James. Grass' "objective" vision ...
Belief that Jesus' physical body was an illusion, as was his crucifixion; that is, Jesus only seemed to have a physical body and to physically die, but in reality, he was incorporeal, a pure spirit, and hence could not physically die. Tendencies existed in the 1st century, but it was most notably embraced by Gnostics in subsequent centuries.
Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from the material. They used a computer program to reverse the aging process. After reducing his jaw ...
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The term messiah complex is not addressed in the Diagnostic and Statistical Manual of Mental Disorders (DSM), as it is not a clinical term nor diagnosable disorder. However, the symptoms as a proposed disorder closely resemble those found in individuals with delusions of grandeur or with grandiose self-images that veer towards the delusional. [3]
The belief of Docetism holds that Jesus Christ did not have a real physical body, but only an apparent or illusory one. [2] Montanism: Catholic Church, Eastern Orthodox Church, Oriental Orthodox Churches, mainline Protestantism: A movement that emphasizes the importance of prophecy and ecstatic experiences. [3] Adoptionism
In his writings and art criticisms during the mid-1960s art critic and artist Donald Judd claimed that illusionism in painting undermined the artform itself. Judd implied that painting was dead, claiming painting was a lie because it depicted the illusion of three-dimensionality on a flat surface.