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Shall We Dance is a 1937 American musical comedy film directed by Mark Sandrich.It is the seventh of the ten Fred Astaire-Ginger Rogers films. The story follows an American ballet dancer (Astaire) who falls in love with a tap dancer (Rogers); the tabloid press concocts a story of their marriage, after which life imitates art.
The original Japanese film had a question mark in its title, and the publicity poster for this film also includes it. However, the actual film titles on the US film appear as simply "Shall We Dance", leading to some online sources, including IMDb , referring to it without showing the question mark.
Review aggregator website Rotten Tomatoes reported that 90% of critics have given the film a positive review based on 52 reviews. The site's critical consensus reads, "Elegantly told by director Masayuki Suo and warmly performed, Shall We Dance? is a delightful celebration of stepping out of one's comfort zone and cutting a rug."
"Shall We Dance?" (1951 song), a Rodgers and Hammerstein song from the musical The King and I "Shall We Dance", a 1981 song by Bram Tchaikovsky "Shall We Dance", a George and Ira Gershwin song, the finale to the 1937 film Shall We Dance
The singer's most challenging role yet, it required her along with the cast to learn ballroom dance numbers–paso doble, the waltz, the tango and the cha-cha choreographed by choreographer JoAnn Jansen. [13] Released Fall 2004, Shall We Dance? was a box office hit, however received generally mixed reviews. [14] [15] [16]
In “Daughters,” a group of men gathers in a sunny, brightly hued prison meeting room. Each man wears an orange jumpsuit and has signed on for a 10-week course about fatherhood with life coach ...
The first four bars of "Let's Call the Whole Thing Off" "Let's Call the Whole Thing Off" is a song written by George Gershwin and Ira Gershwin for the 1937 film Shall We Dance, where it was introduced by Fred Astaire and Ginger Rogers as part of a celebrated dance duet on roller skates. [5]
Tom Hardy, from the first "Venom" on, has chosen to offset the uncoolness of doing a comic-book franchise by putting his slumming in quotation marks, playing Eddie as a borderline doofus who talks ...