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The Wiz holds a 47% rating on Rotten Tomatoes, based on 36 reviews. The consensus reads: "This workmanlike movie musical lacks the electricity of the stage version (and its cinematic inspiration), but it's bolstered by strong performances by Diana Ross and Michael Jackson."
The musical toured the US in 1976 [10] and during the tour, Kenneth Kamal Scott (then billed as "Kamal") replaced André De Shields as the Wiz, Renn Woods was cast as Dorothy but departed the tour after playing only a couple of cities because during the show's engagement at the Ahmanson Theatre in Los Angeles, the 19-year-old performer was ...
The Wiz is the original motion picture soundtrack album for the 1978 film adaptation of the Broadway musical The Wiz.Although the film was produced for Universal Pictures by Motown Records' film division, the soundtrack album was issued on MCA Records as a two-LP collection (Universal was owned by MCA Inc. at the time).
After creating the soundtrack for the 1978 movie musical "The Wiz," starring Jackson, Jones worked with him on his next three albums, "Off the Wall," "Thriller," and "Bad."
A treasured story of Black Americana since the 1978 film version starring Diana Ross and Michael Jackson, ... it could be “The Wiz” the movie. We wanted to say, “We love all those versions ...
The re-imagining of “The Wizard of Oz,” featuring a Black cast, originated on Broadway in 1974 followed by the 1978 movie starry Diana Ross as Dorothy, Michael Jackson as Scarecrow, Nipsey ...
In 1977, "Ease on Down the Road" was recorded as a duet between Diana Ross and Michael Jackson and released as the theme song of the 1978 film adaptation of The Wiz. As with the rest of the music in the film, the film version of "Ease on Down the Road" was produced by Quincy Jones. The recording was one of Jackson's first collaborations with ...
"You Can't Win" is an R&B, pop and soul song written by Charlie Smalls and performed by American recording artist Michael Jackson, who played Scarecrow in the 1978 musical film The Wiz, [1] [2] a retelling of L. Frank Baum's The Wonderful Wizard of Oz using African-American musical genres and cultural tropes. [3]