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When you and I were sweethearts beneath the summer sky; Your hair has turned to silver, the gold has faded too; But still I will remember, where I first met you. (Chorus) Down by the old mill stream Where I first met you, With your eyes of blue, Dressed in gingham too, It was there I knew that you loved me true, You were sixteen, my village queen,
The lyrics of "When You Were Sweet Sixteen" are typical of the sentimental ballads of the 1890s. The form is strophic, two verses with a chorus. Chorus: I love you as I never lov'd before, Since first I met you on the village green Come to me, or my dream of love is o'er. I love you as I lov'd you When you were sweet, when you were sweet ...
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Instead of extending the first section, one adaptation extends the third section. Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]