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In Cuba, a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s. Dancing Casino is an expression of popular social culture in Cuba and many Cubans consider casino a part of their social and cultural activities centering on ...
Son cubano developed in the late 19th century and soon became the most important genre of Cuban popular music. [2] In addition, it is perhaps the most flexible of all forms of Latin American music, and is the foundation of many Cuban-based dance forms, and salsa. Its great strength is its fusion between European and African musical traditions.
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
Rueda dancing requires a minimum of two couples, but could be as large as the maximum number of couples who can create a circle in the dance venue. (If necessary, multiple concentric circles can even be formed.) Since the 1990s, the music most commonly used for Rueda de Casino is either Salsa music or a unique variation of Salsa known as "Timba."
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
In some cases, dancers would respond to changes in the music by switching between casino and the new dance styles, providing perhaps the strongest single argument for the claim that timba is an independent genre and not simply "modern son montuno" or "Cuban salsa."—Moore (2010: v. 5: 11).
The conga became, and perhaps still is, the best-known Cuban music and dance style for non-latins. Mozambique is a comparsa-type dance music developed by Pello el Afrokan (Pedro Izquierdo) in 1963. It had a brief period of high popularity, peaked in 1965, and was soon forgotten.