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Arabesque position with working leg à la hauteur, forming a 90° angle with supporting leg Arabesque penchée. Arabesque (French:; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the supporting leg–with the other leg–the working leg–turned out and extended behind the body, with both legs held straight.
In dance (particularly ballet), arabesque (French: [aʁabɛsk]; literally, "in Arabic fashion") is a body position in which a dancer stands on one leg (the supporting leg) with the other leg (the working leg) extended, straight, behind the body.
distinctive arabesque line with the hip open to the audience and the side arm pressed back; athletic dance quality. fluidity and lightness, best demonstrated by ballerinas with long, thin figures *Suki Schorer has described the Balanchine arabesque as "longer, stronger and bigger". Balanchine would instruct students to "reach for diamonds" in ...
The term "Arabic dance" is often associated with belly dancing. [3] However, there are many styles of traditional Arab dance [4] and many of them have a long history. [5] These may be folk dances, or dances that were once performed as rituals or as entertainment spectacle, and some may have been performed in the imperial court. [6]
An arabesque is a type of music which uses melodies to create the atmosphere of Arabic architecture. [1] The term and themes are borrowed from the art term arabesque, rather than stemming from Arabic music. [2] [3] [4] It is a highly ornamented style.
The French sense of arabesque: a Savonnerie carpet in the Louis XIV style, c.1685–1697, wool, Metropolitan Museum of Art, New York City Design of a Louis XVI style arabesque, by Étienne de La Vallée Poussin, c.1780–1793, pen and gray and brown ink, brush and colored wash, Metropolitan Museum of Art The "Arabesque Room" in the Catherine ...
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
In 1948, Vaganova authored a book titled The Foundation For Dance (more commonly known as Basic Principles of Russian Classical Dance) that outlined her training method and ballet technique. Following Vaganova's death in 1951, her teaching method was preserved by instructors such as Vera Volkova , and Vera Kostrovitskaya.