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Christ in the winepress appears in the 14th century poetry of English Benedictine John Lydgate, [28] and the metaphor is used by two important English 17th-century poets. One of the best known poems of the Anglican Vicar George Herbert is The Agonie , included in The Temple (1633), where the second stanza (of three) is an extended conceit on ...
Christ carrying the cross in art (1 C, 2 P) Crucifixion of Jesus in art (6 C, ... Christ in the winepress; Christ taking leave of his Mother; D. Descent from the ...
Christ in Majesty or Christ in Glory (Latin: Maiestas Domini) [1] is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context.
In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
With the world's annual celebration of his birth mere weeks away, it turns out one of the most revered figures who ever walked the Earth likely didn't look like the pictures of him.
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From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...