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The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that he wrote alone.After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where Prospero, a wizard, lives with his daughter Miranda, and his two servants: Caliban, a savage monster figure, and Ariel, an ...
The presence of pre-Christian, masque-like figures, like Jupiter in Cymbeline and the goddesses whom Prospero summons in The Tempest; [14] A mixture of "courtly" and "pastoral" scenes (such as the gentry and the island residents in The Tempest and the pastoral and courtly contrasts of The Winter's Tale). [15]
In the masque, The King "personated" the role of Philogenes ("lover of the people"), a good but misunderstood ruler. Philogenes endures a fierce tempest that features the spirit of Discord, to reach an ensuing prosperous calm. A chariot descends from the cloudy heavens, carrying the personifications Concord and the Good Genius of Great Britain.
The text of The Tempest contains more stage directions than most of Shakespeare's plays, giving scholars an opportunity to see into the portrayal of characters such as Ariel in Shakespeare's time. In Act III, Scene III, for example, when Ariel, as a harpy , is directed to clap his wings on a banquet table, he causes the food to disappear by a ...
Comus (A Masque Presented at Ludlow Castle, 1634) is a masque in honour of chastity written by John Milton. It was first presented on Michaelmas 1634 before John Egerton, 1st Earl of Bridgewater at Ludlow Castle in celebration of the Earl's new post as Lord President of Wales .
Sycorax / ˈ s ɪ k ər æ k s / is an unseen character in William Shakespeare's play The Tempest (1611). She is a vicious and powerful witch and the mother of Caliban, one of the few native inhabitants of the island on which Prospero, the hero of the play, is stranded.
Prospero's Books is a complex tale based upon William Shakespeare's The Tempest. Miranda, the daughter of Prospero, an exiled magician, falls in love with Ferdinand, the son of his enemy; while the sorcerer's sprite, Ariel, convinces him to abandon revenge against the traitors from his earlier life.
The second song also uses lines from The Tempest, spoken by the sorcerer Prospero to conclude the masque at the wedding of his daughter Miranda to Prince Ferdinand. The characters, Prospero announces, will all fade away, and this play within a play itself becomes a metaphor for the transience of real life, the globe symbolising both the world ...