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"California Man" is a song by British rock and roll band The Move. It was written by the band's guitarist/vocalist Roy Wood, who has said he wrote it as a pastiche of Little Richard (Wood's favourite musician of the time) and Jerry Lee Lewis (Move pianist/guitarist/vocalist Jeff Lynne's favourite musician at the time).
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences. Items in the list are sorted alphabetically by the band or artist 's name. Songs which are familiar to listeners through more than one version (by different artists) are mentioned by the earliest version known to contain ...
Written by Commodores lead singer Lionel Richie, the song is a slow ballad expressing a man's relief as a relationship ends. Rather than being depressed about the break-up, he states that he is instead "easy like Sunday morning"—something that Richie described as evocative of "small Southern towns that die at 11:30pm" on a Saturday night, such as his hometown Tuskegee, Alabama. [6]
"I'm Easy" is an Academy Award-winning song written and performed by Keith Carradine for the 1975 movie Nashville. [1] Carradine recorded a slightly faster version that became a popular music hit in 1976 in the United States .
"I'm a Man" (Bo Diddley song), 1955, covered by The Yardbirds, on the album Having A Rave-Up With The Yardbirds, 1965 "I'm a Man" (Michelle Branch song), 2022 "I'm a Man" (The Spencer Davis Group song), 1967; covered by the band Chicago in 1970 "I'm a Man", a 1959 song by Fabian "I'm a Man", a 1998 song by Pulp from the album This Is Hardcore
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Image credits: SuperfluousPedagogue #2. There was a huge fight about African Americans using the public pool in Mr. Roger's actual neighborhood so he made a episode on his show where he and a ...
In the song, she expresses the depth of her longing for California despite considering herself a member of the counterculture. [2] Like "Carey", "California" takes the form of a travelogue, and uses a stream of consciousness narrative technique. [3] [4] Pitchfork critic Jessica Hopper describes both songs as "how-Joni-got-her-groove-back ...