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Anapaest–A three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable. Dactyl–A three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. Spondee–A beat in a poetic line that consists of two accented syllables. It is a poetic form ...
A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry.. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron).
The key idea of the theory is that poets have a store of formulae (a formula being 'an expression that is regularly used, under the same metrical conditions, to express a particular essential idea') [1] and that by linking the formulae in conventionalised ways, poets can rapidly compose verse. Antoine Meillet expressed the idea in 1923, thus:
Lines composed of the same number of syllables with division in different place are considered to be completely different metrical patterns. For example, Polish alexandrine (13) is almost always divided 7+6. It has been very common in Polish poetry for last five centuries. But the metre 13(8+5) occurs only rarely and 13(6+7) can be hardly found.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.
The New Formalism is a movement originating ca. 1977 in American poetry that promotes a return to metrical and rhymed verse. [101] [102] Rather than looking to the Confessionalists, they look to Robert Frost, Richard Wilbur, James Merrill, Anthony Hecht, and Donald Justice for poetic influence.
The trochaic tetrametrical meter that characterises the traditional poetry of most Finnic-language cultures, known as Kalevala meter, does not deploy alliteration with the structural regularity of Germanic-language alliterative verse, but Kalevala meter does have a very strong convention that, in each line, two lexically stressed syllables ...