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The low screen has a frame of unvarnished cedar wood measuring 63.3 cm × 185 cm (24.9 in × 72.8 in) which holds two paper panels, mostly white with a few bold markings of black ink and flecks of glittering mica, indicating an expanse of ice on a lake which is cracking, receding into the distance. It is signed and sealed "應擧" (Ōkyo).
This compilation contains information on inkstick, inkstone, ink brush, and paper in China, which are collectively called the four treasures of the study. The text mentions a kind of decorative paper called liúshā jiān (流沙箋) meaning 'drifting-sand' or 'flowing-sand notepaper' that was made in what is now the region of Sichuan (Su 4: 7a ...
Design for a display case, by Thomas Chippendale, c.1753–1754, black ink and gray wash, Metropolitan Museum of Art, New York City Chair from the Gothic Cabinet of the Osmond Countess, by François-Honoré-Georges Jacob-Desmalter , c. 1817-1820, gilt wood, Petit Palais , Paris
Tracing creates the guidelines for the areas of the design that are to be embossed. Tracing is done using the mapping pen and ink. Parchment has two sides-one with a smooth surface and one with a rough surface; tracing is done on the side with the rough surface because the ink more easily adheres to this type of surface.
Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations.
Pine soot ink is made from the soot of pine wood. It has less glue and so spreads more than oil soot ink. It gives a blueish-black color and is good for calligraphy and gongbi painting. Lacquer soot ink is made from the soot of dried raw lacquer. It has a shiny appearance and is most suitable for painting. Charcoal ink is made using ordinary ...