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The Blueshawk has a number of distinctive features that distinguish it from virtually all other Gibsons. The Blueshawk's body outline is the same as a slightly earlier range of guitars — the Nighthawks (1993–1999) — but unlike the Nighthawks, the Blueshawk is a semi-hollow bodied guitar with twin f-holes.
The Gibson L-5 is a hollow body guitar first produced in 1923 by the Gibson Guitar Corporation, then of Kalamazoo, Michigan.One of the first guitars to feature F-holes, the L-5 was designed under the direction of acoustical engineer and designer Lloyd Loar, and has been in production ever since.
F-holes in instruments from the violin family, archtop mandolins and in archtop guitars; C-holes in viola da gambas and occasionally double-basses and guitars; Rosettes in lutes and sometimes harpsichords; D-holes in bowed lyras. Some instruments come in more than one style (mandolins may have F-holes, round or oval holes). A round or oval hole ...
Guitar maker A. H. Merrill, for example, patented in 1896 a very modern looking instrument "of the guitar and mandolin type . . . with egg-shaped hoop or sides and a graduated convex back and top." The instrument featured a metal tailpiece and teardrop shaped "f-holes," and strongly resembled the archtop guitars of the 1930s. James S.
In modern scores, the fingers are numbered from 1 to 5 on each hand: the thumb is 1, the index finger is 2, the middle finger is 3, the ring finger is 4 and the little finger is 5. Earlier usage varied by region. In Britain in the 19th century, the thumb was shown by a cross (+) or number 0 and the fingers were numbered from 1 to 4.
Archtop guitars are steel-string acoustic guitars with a big soundbox, arched top, violin-style f-holes, a "floating bridge" and magnetic or piezoelectric pickups. Early makers of jazz guitars included Gibson, Epiphone, D'Angelico and Stromberg. The electric guitar is plugged into a guitar amplifier to make it sound loud enough for performance ...
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A rosette (from French, meaning little rose), rose, or knot, [1] in the context of musical instruments, is a form of soundhole decoration. The name originated during the medieval period, as a comparison with church windows which were called rose windows. On the oud they are called by the Arabic language term shams, meaning sun. [2] [3] [4] [5]