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The Last Supper, after Leonardo da Vinci: 1634–1635: Red chalk: 36.2 x 47.5 cm: Metropolitan Museum of Art, New York: Inscribed Rembrandt f. Two Butchers at Work: 1635: Pen and bistre: 14.9 x 20 cm: Städel, Frankfurt am Main: Inscribed t vel daer aen ende voorts de rest bysleepende The Angel Preventing Abraham from Sacrificing his Son, Isaac ...
Drawing on paper. Pen and brown ink with brown and other washes and red and black chalk: 35.7 x 48.8: Teylers Museum, Haarlem: 111: Although executed with drawing materials on paper, in view of its presumed function this work is counted here among Rembrandt’s grisailles in preparation for an unfinished printed Passion series Ecce Homo: 1634
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
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His 2008 film Rembrandt's J'Accuse is a sequel or follow-on, and covers the same idea, using extremely detailed analysis of the compositional elements in the painting; in this Greenaway describes The Night Watch as (currently) the fourth most famous painting in the Western world, after the Mona Lisa, The Last Supper and the ceiling of the ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. “The French Bed,” drawn by the Dutch ...
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.