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The Last Supper, after Leonardo da Vinci: 1634–1635: Red chalk: 36.2 x 47.5 cm: Metropolitan Museum of Art, New York: Inscribed Rembrandt f. Two Butchers at Work: 1635: Pen and bistre: 14.9 x 20 cm: Städel, Frankfurt am Main: Inscribed t vel daer aen ende voorts de rest bysleepende The Angel Preventing Abraham from Sacrificing his Son, Isaac ...
The painting must have been cropped on all sides. A piece of the same canvas bearing Rembrandt’s signature is stuck on the lower right corner. Many of the contours have been strengthened by a later hand Posthumous Portrait of Saskia van Uylenburgh as Flora: c. 1660: Oil on canvas: 100 x 91.8: Metropolitan Museum of Art, New York: 269 ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
Self portrait drawing at a window: 1648 B103: 2: St. Jerome beside a pollard willow: 1648 B112: 5: Medea: or the marriage of Jason and Creusa: 1648 B126: 3: Pharisees in the Temple [Jews in the synagogue] 1648 B176: 3: Beggars receiving alms at the door of a house: 1648 B232: 3: Cottage with a white paling: 1648 B074: 2: Christ preaching ...
Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Help. Pages in category "Paintings of the Last Supper" The following 31 pages ...
An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. “The French Bed,” drawn by the Dutch ...
Print/export Download as PDF; ... Help. Pages in category "Drawings by Rembrandt" The following 5 pages are in this category, out of 5 total. ... This page was last ...
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.