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Sunflowers (original title, in French: Tournesols) is the title of two series of still life paintings by the Dutch painter Vincent van Gogh.The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase.
Wikidata:WikiProject sum of all paintings/Creator/Vincent van Gogh; Wikidata:WikiProject sum of all paintings/Collection/National Gallery; Wikidata:WikiProject sum of all paintings/Catalog/The New Complete Van Gogh; Wikidata:WikiProject sum of all paintings/Catalog/L'Œuvre de Vincent van Gogh, catalogue raisonné; User:Multichill/1001 Schilderijen
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Still Life: Vase with Oleanders and Books (van Gogh) [Wikidata] August 1888 Metropolitan Museum of Art, New York Arles 60.3 x 73.6cm F 593 JH 1566 Still Life: Vase with Oleanders: August 1888 Unknown Arles 56 x 36cm F 594 JH 1567 Still Life: Vase with Zinnias (van Gogh) [] August 1888 Private collection Arles 64 x 49.5cm F 592 JH 1568
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In November 1884, van Gogh taught some friends from Eindhoven, a large town near Nuenen, to paint inanimate objects in oil. Van Gogh, in his enthusiasm, created a series of still life paintings of bottles, bowls and pots and other objects. [3] When van Gogh created still life paintings he was able to explore light and its effect on colors.
Vase with Daisies and Anemones (F323), also known as Flowers in a Blue Vase, was painted late in Van Gogh's stay in Paris. The vase holds a lively selection of daisies and anemones made with a range of colors. Dark red-brown is enlivened by shades of yellow, pink and white.
On 14 October 2022, Phoebe Plummer and Anna Holland of Just Stop Oil threw two tins of soup at an 1888 Sunflowers painting by Vincent van Gogh at the National Gallery in London, glued themselves to the wall and asked the crowd whether they were more concerned by the protest or by the effects of climate change on the planet. They had been ...