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The popularity and worldwide scope of rock music resulted in a powerful impact on society in the 20th century, particularly among the baby boomer generation. Rock and roll influenced daily life, fashion, social attitudes, and language in a way few other social developments have equated to. As the original generation of rock and roll fans ...
The sociology of music looks specifically at these connections and the musical experiences tied to the person and the music itself. [1] In addition, the act of making music is a social production as well as a social activity. Even if the music artist is a solo performer, the production of the music itself, took a level of social effort.
Music journalist Mark Kemp credits the Beatles with leading pop music's expansion into styles such as world music, psychedelia, avant-pop and electronica, and attracting a bohemian audience that had previously focused on jazz and folk. [516] According to Luhrssen and Larson, the Beatles affected every genre of rock music except jazz rock. [517]
The music itself was acquired either by smuggling copies from the west, or recording it from western radio. [9] The latter became easier and more common after United States president Lyndon Johnson made international broadcasting a priority in the mid-1960s. [10] Hippie culture emerged in the late 60s and early 70s. Although very similar in ...
Madonna would also affect music video industry, called as her "main contribution" to the industry by some insiders ahead of her induction into the Rock and Roll Hall of Fame in 2008. [320] For instance, she released the first video single in the U.S. "Justify My Love", [321] which remains the best-selling video single. [322]
In addition to religion or the lack thereof, a society's music is influenced by all other aspects of its culture, including social and economic organization and experience, climate, and access to technology. Many cultures have coupled music with other art forms, such as the Chinese four arts and the medieval quadrivium.
Because ethnomusicology is not limited to the study of music from non-Western cultures, it has the potential to encompass various approaches to the study of the many types of music around the world and emphasize their different contexts and dimensions (cultural, social, material, cognitive, biological, etc.) beyond their isolated sound components.
In the description of author and pop culture critic Joseph Vogel, Jackson's 1982 album Thriller changed the direction of popular music. [30] Jay Cocks , writing for Time magazine in 1984, said the album was "a thorough restoration of confidence, a rejuvenation [and] its effect on listeners, especially younger ones, was nearer to a revelation".